- Year:2008Director:Mitchell LichtensteinCast:Appleman, John Hensley, Ashley Springer, Lenny von Dohlen, Jess WexlerReviewed by:Ethan Robinson
Our reviewer has been excited by Teeth for quite a while now. It’s just such a great concept — reclaiming the vagina dentata! So much possibility! So much expectation. So much pressure to love the damn thing. Ethan Robinson is prepared to be dazzled... - Year:2007Director:Ben AffleckCast:Casey Affleck, Ed Harris, Michelle Monaghan, Morgan Freeman, and Amy RyanReviewed by:David Holmes
Like Mystic River, Gone Baby Gone probes the unimaginable horror of losing a child by examining the tragedy from the perspectives of the family, the police, and the perpetrators, while obscuring the lines that separate each of these concerned parties. David Holmes finds much to admire in Ben Affleck's gripping directorial debut
- Year:2007Director:Tim BurtonCast:Johnny Depp, Helena Bonham Carter, Alan RickmanReviewed by:Ethan Robinson
Near-miss after near-miss after downright stinker - Tim Burton enthusiasts have been frustrated for years at his unreliable output, often slipping into a parody of his former glory, finding it hard to tread the delicate line on which he once blazed his trail. For one of the visionaries of our time, his strike-rate is dangerously high. Ethan Robinson gives the wild-maned loon one last chance to save his reputation as the dark prince of Hollywood. - Year:2008Director:Michael HanekeCast:Tim Roth, Naomi Watts, Brady Corbet, Michael PittReviewed by:Patrick Mckay
Funny Games is a tale of vacationing suburbanites whose summer home is invaded by a pair of sadistic psychotics in golf shirts and white gloves and perhaps best viewed as the sort of coolly cinematic chiller than Hitchcock would have loved – or even made. Patrick Mckay gets under the skin of Haneke's first American jaunt.
- Year:2007Director:Tony GilroyCast:George Clooney. Tom Wilkinson, Tilda SwintonReviewed by:David Holmes
Michael Clayton has simply no right to be as good as it is. Working firmly within the “hot-shot- lawyer-battles- evil-establishment” genre, you’d think there’d be no new territory to explore that hasn’t already been beaten to a pulp by countless John Grisham adaptations.
- Writer:Nancy Keefe Rhodes
Nancy Keefe Rhodes interviews the New York City based film maker about her rule-breaking new film Plany Mela, screened at the 4th Syracuse International Film Festival. The experimental form, mixed with live performance, shows that there's an interesting future for the giant screen. - Writer:Laavanyan Ratnapalan
For a work that has been lauded for its subversion of life in 1960s America, the technical aspects of its production affirm the merits of the society that it is held to subvert. A less flexible country and period would most likely not have permitted the creation of Night of the Living Dead. Laavanyan Ratnapalan reads Romero's classic in context. - Writer:David Holmes
When the coke-dust settles and the bodies are swept from the battlefield, will Jonathon Demme’s exhilarating take on the Talking Heads’ Speaking in Tongues tour reign victorious? Or is it no match for the cultural zeitgeist of Martin Scorsese’s elegiac chronicle of The Band’s final performance? Only one way to find out… - Writer:Paolo Cabrelli
There are a good many filmmakers from the 70s who were unable to drag themselves out of the decade intact, some unable to reach beyond a single success, some inexplicably out of luck or ideas, and many exploring the outskirts of the industry for the last three decades in a state of bemusement. The 70s may have been home to some of the most lucid, lurid and vociferous figures in the history of film but it was also a rickety platform for some of the most unsustainably enigmatic.
- Writer:Paolo Cabrelli
A lost movie is like a locked treasure chest: the tension and expectation over what's locked away is almost too much to take. From the many mislaid projects of Welles to the stange concentration camp comedy of Jerry Lewis, and from the butchered epic of von Stroheim to Gilliam's Ubik, FilmSlash delves deep into the murky waters of the lost movie and finds that, sometimes, they're best left buiroed under the sand.








